The first in-depth look at
the making of Depeche Mode’s ‘Violator’ and its enduring legacy, by Kevin May
and David McElroy
Published 29 September
2022 by Grosvenor House Publishing
Recorded in England, Denmark and Italy between May and September
1989, Depeche Mode’s
seventh studio album ‘Violator’ was
a landmark record beloved by fans and universally regarded as the band’s
creative highpoint.
Eventually selling 7.5 million copies following its release in
March 1990, ‘Violator’ gave the cult British band – Dave Gahan, Martin Gore, Andy ‘Fletch’ Fletcher and Alan Wilder – the
critical acclaim they finally deserved. The adventurous, highly experimental
approach that the band took for ‘Violator’ recording sessions also yielded two
of the band’s most recognisable and successful singles in ‘Personal Jesus’ and
‘Enjoy The Silence’.
Produced by the band with the influential studio guru Flood and mixed by
the legendary François
Kevorkian, ‘Violator’ is viewed as a hugely groundbreaking body
of work by countless musicians and DJs, such was its progressive synthesis of
electronic, rock, dance and pop music. The album revealed a new maturity and
sensitivity to Martin Gore’s song-writing and allowed the band’s inquisitive
Alan Wilder to come to the fore as a principal architect of the band’s approach
to studio production.
This period in the band’s history also found them forging a
deeply trusted and influential partnership with photographer and designer Anton Corbijn, often
viewed as the fifth member of Depeche Mode at this time. Corbijn’s work with
the Area creative agency for the ‘Violator’ project delivered iconic,
integrated artwork, photography, videos and short films across the album, its
singles, and tour design.
Written by uber-fans Kevin
May and David
McElroy, with ‘Halo’ we
find ourselves shadowing the band in the studio, on an intense, pivotal
worldwide tour and on the sets of arty Super 8 vignettes. We watch as samples
and sounds are painstakingly wrought into rhythms, as flights are missed to
secure additional seconds of mix time, as label executives in boardrooms
deliberate over the order of the album’s singles. We find ourselves in downtown
LA at the scene of an apocryphal riot as fans clamour to get their copies of
the album signed. We observe the often misunderstood but hugely important role
that the late Andy Fletcher played in the band and witness the tumultuous
emotional pressures on the band’s frontman, Dave Gahan.
During an intense and pivotal
two-and-a-half years in the life of the group, we follow Depeche Mode as they
complete their metamorphosis into one of the most significant bands of a
generation, and place the success and innovations of ‘Violator’ at the dead
centre of the rapidly-changing late-80s, early-90s musical zeitgeist.
More than an album biography, ‘Halo’ goes deep behind the scenes
of the band’s ‘Violator’ period. The book takes the form of a detailed oral
history from those who were there in the studio with the band, working behind
the cameras, designing sleeves and appearing in the videos; support acts, tour
managers, publicists and Depeche Mode fans.
The book features detailed interviews with central figures involved with the
band as they transitioned their sound and image to a stadium-friendly
aesthetic, as well as those whose trusted contributions, while occasionally
understated, were essential for the creation of ‘Violator’, its enduring
mystique, sound and success.
With ‘Halo’, authors Kevin May and David McElroy have produced
an essential guide for Depeche Mode fans and anyone inquisitive about the
making of a classic, genre-defining album.
Halo – The Story Behind
Depeche Mode’s Classic Album Violator will be published as a
paperback book and e-book on 29 September 2022 by Grosvenor House
Publishing.
ISBN: 978-1-80381-225-0
ABOUT THE
AUTHORS
David McElroy became a Depeche Mode fan
when growing up in Castle Douglas in South West Scotland. He first heard ‘Enjoy
The Silence’ in his parents' car on a day when he was too lazy to walk to
school and from that point he was hooked. David now lives in Glasgow with his
increasingly out of control Depeche Mode collection and runs the Depeche Mode
blog ‘Almost Predictable Almost’. His first Depeche Mode gig was the band's
1993 show at Crystal Palace and, in April 2017, David ran the band's Facebook
page for a day as part of their Fan Takeover campaign.
Kevin May was a journalist for nearly
30 years before switching to academic studies in the area of mental health in
2022. He edited a number of publications during his journalism career,
including titles covering the travel and media industries. Kevin has co-hosted
five podcasts and moderated at dozens of events in the US, China, India,
Australia, Singapore and across Europe. Coincidentally, an early job in
journalism was as a reporter in Essex, covering Depeche Mode’s hometown of
Basildon. He first saw the band in 1990 on the ‘World Violation Tour’.
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