Sherwood At The Controls Volume 2: 1985 – 1990 (On-U
Sound Records)
LP
/ CD / DL
Out
Now
9
/ 10
Second
instalment of legendary Adrian Sherwood productions and remixes.
For many fans
of On-U Sound, the period covered in this latest collection is absolutely indispensable. It marks the emergence of Sherwood as a key
producer and remixer who became hot property and sought out by the likes of Nine
Inch Nails, Cabaret Voltaire and Einstürzende
Neubauten.
His soon-to-be trademark sound of beats
and samples which have often been copied but never bettered, came after a
meeting in 1984 with Doug Wimbush, Keith LeBlanc and Skip McDonald of Sugarhill
Gang who would soon join forces as Tackhead (and Fats Comet) with Bernard
Fowler. Both Tackhead and Fats Comet are
represented on this superb collection in the form of Mind At The End Of The
Tether (1987) and the highly infectious Don't Forget That Beat (1985), and form
an integral part of On-U history.
This second episode in the Sherwood At
The Controls series features his early forays into electro, hip-hop, industrial
and general noise all accompanied by his wonderful dub touches. The sound he created remain – crashing and
clinical drum sounds, distortion and reverb are the general order of the day.
The scene is well and truly set with
album opener, the 12” mix of Mark Stewart’s Hypnotised. A journey through incredible drum patterns
and high pitched screeches it is as much a Stewart milestone as the classic
Jerusalem as he shouts and wails through guitar throbs and seemingly random
effects. Often borrowing from Fat
Comet’s Deejays Dream (or is it vice versa?), it fuses the unlikely combination
of punk, electro and hip-hop over seven easy minutes and also references the
On-U compilation series Pay It All Back several times.
Where Sherwood came into his own is with his
forays into dub and World music, and the endless chant on Masimbabele (The
Unknown Cases) provides one of his many facets.
A relationship with Lee ‘Scratch’ Perry which started in 1986 has helped
revive the Jamaicans career and he now stands as one of the most pivotal and
well-known reggae/dub artists in the World.
Represented here by Music & Science Madness, Perry forms part of a
five track end to the collection with unreleased material (side d of the vinyl
set).
Keith LeBlanc and Dub Syndicate make appearances
with tracks at less than one minute each which seem to serve as interludes to
following tracks, the former to a Dance Mix of the classic Television by The
Beatnigs and the later to the aforementioned Perry. Dub Syndicate also close the collection with Early
Mafia, a lazy dub reggae jaunt which is nothing short of amazing.
In the wake of the sad loss of Prince, Pankow are
here with their version of Girls & Boys.
Originally from the Purple One’s Under The Cherry Moon, the Germans
manage to mix punk with funk with Kraftwerk and create a lovable monster which
has to be heard to be believed.
The swelling vaults of On-U Sound have once more
been raided to provide an incredible insight into the man now in his fifth
decade of music production and mixing.
There seems to be no let-up in his popularity, but most of all the
respect that so many artists have for him.
Roll on Volume 3!
Links
On-U Sound Records
Adrian Sherwood Website
Adrian Sherwood on Twitter
Adrian Sherwood on Facebook
Cabaret Voltaire
Tackhead
Mark Stewart
Lee 'Scratch'Perry
Published on Louder Than War 23/06/16 - here
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