Ceiling Demons – Dual Sides
CD/DL
Out Now
Yorkshire hip-hop trio, Ceiling Demons release their new album.
There’s something very unnerving about a British rapper or
Hip-Hopper trying to sound like someone from Americky. Ironic too, that they profess to be close to
their roots like J Lo still being ‘from the block’, whilst they tell us about
their urban life in a false accent. Point
one - Ceiling Demons have honesty on their side when they rap in their broad
Yorkshire accents.
None other than Arrested Development have said that Ceiling Demons
are ‘bringing sincerity back to hip-hop’.
High acclaim indeed, and they’re right.
Point two - the trio rap in an Old Skool sort of way about things that
affect them and their lives.
It’s also refreshing to hear samples and sound bytes used properly
in the context of the song not repeated over and over again because there isn’t
a hook anywhere else. They’re not
interested in showing off their golden teeth or huge medallions (just like all
the kids wear, yeah right), they instead cover their faces in almost tribal looking
masks. Point three - they’re just normal
lads.
So, as the song goes could it be that ‘three is the magic number’? It would appear so.
Like good a old fashioned rap trio, there are two MCs – Psy Ceiling
and Dan Demon – and a ‘beatmaster’ in the form of Beat Demon (what else?) and
they make that good old hip-hop sound.
Samples are cleverly used and inserted into heavy sounding backing. They’re incredibly well polished in sound and
the overall production of the album is slick and clinical. Ceiling Demons clearly know what they’re
doing.
What is interesting and perhaps original is that they rap about optimism
a doing things right, almost scared that they may turn out to hold a Bible in
the air soon, they are just lads with a good attitude and a handful of caring
spirit.
Album highlights are Every Step Is Moving Me Up and The Mirror’s
Image, but for two different reasons.
The former cleverly uses the hook from Arthur Russell’s This Is How We
Walk On The Moon. Cleverly because their
sample is of a far better quality that Russell’s 1994 recording. The Mirror’s Image ironically shows a side
of The Ceiling Demons which I suspect they aren’t comfortable with. It seems out of place and lyrically it relies
on negativity.
Ending
with the lovely orchestral backing to Heartstrings the album is a breath of
fresh air. Spoken in their real accents
rather than some faux rap crap, they are what they are, and that is very much
the key here. They aren’t pretenders, they just do what they do and do it well.
8.5/10
Links
Published on Louder Than War 7/05/14 - here
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