Nat Lyon – New England Paradigm
Shift
CD/DL
Out Now
Artists like Nat Lyon are difficult
to categorise. He calls himself punk/folk
or anti-folk. He sounds more like a mix
of The Ramones, early R.E.M. (when they were listenable) and They Might Be
Giants. It’s a strange mix, but, it’s
one that sounds mighty good.
Based in a 230 year old Connecticut
farmhouse that he is currently renovating, Nat is an old-hand at punk now
writing songs about fictional characters influenced by his Swamp Yankee
history.
It’s probably the only album I’ve
ever heard that kicks off with a reprise of what will be the final track. ‘For
People In Cars n I-95’ is, for the un-initiated, about the freeway that
spans from Florida to New England. At
almost 2,000 miles long it remains unfinished for at least another five
years. Claiming that he doesn’t want to
die on the road, indicates either it’s boring or dangerous, or both. An interesting, almost trip-hop start to the
album.
Given that the album is solely
recorded by one man and his musical talents, it is an enthralling affair. The post mixing of the album by Chad Methany
adds a haunting, apocalyptical feel with reverb and feedback aplenty.
There’s some dark humour on the
album, ‘Gin And Visions’ being prime example, accompanied by some epic guitar
work and a hook that will nestle itself in the dark recesses of your mind. ‘Field Notes From Eastern Uplands’ steams
along with a backing track that could have been lifted from The Cure, and, ‘Pitched’
could quite easily be early 90s Indie with its cool effects and catchy melody.
Nat’s ability to write interesting
lyrics is none better seen than on ‘Fox Sighting 1’ where the words can be best
described as poetry, and, his uniqueness is proven on a second braver version of the song, ‘Fox Sighting 2’ with a
backing that is stark and almost frightening.
Wonderful stuff.
Ending on the (almost) title track ‘Paradigm
Shift’ (the prequel to the album opener), you can’t help but feel that you’ve
stumbled across something rather entertaining.
The music is subtle and simple to start, and, ‘that’ whisper sends
shivers down your spine. Building and
building to an indecipherable noise mesh, it’s the perfect end to a very very
good album.
8/10
Links
Published on Louder Than War 15/09/13 - here
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