Martin
Stephenson should be a household name.
Fact.
There’s no
doubt that he is critically acclaimed as one of this Country’s finest
songwriters, and quite rightly so. Over
25 years since the release of the debut album, the mighty Boat To Bolivia,
Martin continues to record and tour both as a solo artist and with the
Daintees. Generally acknowledged as Mr
Nice Guy, after 40 albums how does the new stuff compare?
The answer
is pretty simple – easily. California
Star is an album of folk. With a little
Blues. And Country. And jazz.
And reggae. And rock. It rarely gets much better.
From the
opening of the sublime The Ship, you know that this album is going places. It’s a lovely calm start to the album. “Brothers and Sisters, do not forsake us,
give us a ship, help sail us”. Welcome
aboard. Any song that tips a hat to Sham
69 is ok by me as The Ship fades out - “Hurry Up Jimmy Pursey, we’re going down
the pub”.
We next
dock in the Basque country - the Streets
Of San Sebestian to be precise. A song
with obvious Spanish overtones, influenced by a visit by Martin and Soulmate,
Helen McCookerybook. Martin has, and has
always had, the great ability to not only write words, but tell a story. Up there with great musical poets like Ray
Davies, he not only makes catchy songs but enthrals you with a tale. Sometimes, bringing tears of sorrow, other
times tears of joy.
I challenge
you not to tap your feet to Power That Is Greater. Go on, try it. You can’t.
Some time after ending, you’re still humming it. The title track is just lovely, nothing more
nothing less, just lovely. Martin’s
love of his art is clear to see. I
really don’t think he could write a poor song if he tried. From the subtle tones of California Star
straight into some good old rockin’ blues, Ready To Move On. You really can’t go wrong with a
harmonica. The song fades out with Kenny
Brady, backing vocalist, disappearing into the silence, then suddenly the song
comes back with Martin making comment – “I knew the wee shite would get the
last word”. Genius.
For the
uninitiated, you could be forgiven for thinking that this album is a Best Of
collection, and, the question being – why has this guy never had a hit single? It really is a mystery, even back to great
songs like Wholly Humble Heart and appearances on The Tube in the late 80s,
Martin has always been critically acclaimed, but, never commercially
accepted. From the label that also
brought you Prefab Sprout, Kane Gang and the mighty Hurrah!, Kitchenware had
the knack of finding loads of ‘nearly’ acts up until its closure earlier this
year.
Boy To Man
is classic Stephenson, a prayer willing God that he will never have to go to
war. As will many of Martin’s songs, the
story unfolds and it will leave you silent with the final verse. An instant pick-you-up with Something
Special and Silver Bird. The later of
the two would also suit the marvellous Ian McNabb – a song written in his
style. Let’s have a collaboration eh
lads?!
The
production on this album is superb, every instrument sounds fresh and clean and
almost as though you’re there with the band.
Long Way To Go is another toe-tapper.
A Country feel and a great sing-along song. The short but sublime Sweet Cherwine leads
onto, for me, the best track of the album.
The reggae beat to I’m In Love For The First Time is wonderful. What I wouldn’t give to hear a dub version of
this song – a rival to Wholly Humble Heart?
Possibly.
Boat To
Bolivia may often be the album that is cited as ‘The’ Daintees album, but,
California Star may well now be challenging that title. A classic.
Published on Louder Than War 5/11/12 - http://louderthanwar.com/martin-stephenson-the-daintees-california-star-album-review/
Published on Louder Than War 5/11/12 - http://louderthanwar.com/martin-stephenson-the-daintees-california-star-album-review/
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